Zami: A New Spelling
of My Name by Audre Lorde
There is something about this
particular author that is very endearing. She is real and she captures your
attention with her extremely detailed descriptions of her life in this
“biomythography”. In the first 11 chapters of the book, you get an
understanding of how Audre grew up and her experiences as a child. Growing up
in the WWII era in New York City, her parents were immigrants from Grenada.
Audre describes herself when she is a child as being “fat, Black, nearly blind,
and ambidextrous in a West Indian Household” (24). She is teased and called
names for being different. Even within her family, she feels like the oddball. I feel like a lot of people can relate to being the black sheep of the family and feeling isolated to others around them, which helps in connecting more with the book. Her two sisters, Phyllis and Helen, are very close in age and have a bond that
is not shared with Audre. She longs for companionship. Audre faces the harsh
reality of racism, especially in school. It angered me to read about how she
was treated in class and how her teachers (which were nuns) thought of her as
below them.
On the topic of sexuality, Audre explains some very interesting feelings and
observations. Her feelings towards her mother are sometimes questionable and
confusing. In a way, I feel like Sigmund Freud’s Oedipus complex comes into play here.
Audre admires her mother; however, in her recollections and descriptions of her
mother aren’t the norm. For example, “Years afterward when I was grown, whenever
I thought about the way I smelled that day…I would have a fantasy of my
mother…looking down upon me lying on the couch, and then slowly, thoroughly,
our touching and caressing each other’s most secret places” (78). This
parallels with her memory of Toni. At four years old, Toni sparks Audre’s
curiosity. This part in the book is a little mind-boggling for me. It is
extremely erotic for the inner monologue of a 4-year-old. Wanting to “undress”
and “touch” isn’t exactly what’s on the agenda for the average toddler. But
perhaps her admiration for her mother as well as this new curiosity with Toni
is the budding growth of Audre’s sexuality and love for women. The meaning of "Zami" is women who work together as friends and lovers! When she first menstruates
at 15, she embraces her womanhood. She explains, “My body felt new and special
and unfamiliar and suspect all at the same time. (77). As a woman, I appreciate this adoration for fellow women. It is a bond, a sisterhood that makes me happy. I’m anxious to keep reading about her endeavors further on in the book.
Yes, Yes, I have fallen in love with the way Audre Lorde describes the experiences, the emotions and the memories she has. they're very detailed but they capture your attention and they draw you into everything she's telling.
ReplyDeleteAlso, can anyone define biomythography?? I looked it up in the Oxford English Dictionary and it surprisingly had no results. When I googled it a lot of different meanings were thrown around and I think I got the gist of it but clarification would be nice.
I couldn't have said it better, Peri. You really had a great summary of went on, and yeah the eroticism of her as a 4 year old was pretty crazy interesting, if that makes sense. I mean, I was sitting outside my Japanese class yesterday reading the part with Toni, and I actually got really embarrassed when her mom walked out when Audre was about to pull Toni's pants down. If a book is elicit that much of a reaction from me, I'm pretty much sold.
ReplyDeleteAlso, Johnny, I couldn't find anything really on the origin, but I just figured "biomythography" was a biography with elements of fantasy or with myth-like stories interwoven in it or something. Audre's story was pretty fantastical at many points within the story, and perhaps we'll discuss that meaning in class today like we did with posttranssexual.
Whatever the case, I also thoroughly enjoyed this text, and it'll be the perfect reading companion over Thanksgiving break.
Did you, by any chance, find it curious that both the little girl's name is Toni, and the lesbian she meets later on in life is named Toni? Is there any chance we were supposed to think they were the same person? I think that would be some lovely subtext to the story. More and more, in fact, I'm starting to think there are little easter eggs dropped in along the way, things were are supposed to notice and find significant. I didn't think that there would be much subtlety or subtext in this novel, but now that I think more about it, as a "biomythography," there should be metaphor and symbolism used to embolden the subject matter. Maybe some of these additions are just red herrings, but I'd like to think that they were intentional at the very least.
DeleteI agree that this text is both endearing, and at a lot of points, extremely relatable. At a lot of points I was caught comparing some of her memories of childhood with some of my own, or as an older sister, relating her behavior to that of my sibling. In that sense, I really enjoyed reading the book, as well as reading the distinct differences, such as racism in it, as seen through a child's eyes. We often read about adults perceptions on the topic, but I think the more innocent view gives it a different spin, and perhaps, as Peri mentioned, a more infuriating one, in that it cuts out all the predetermined knowledge of it and just shows that basic prejudice.
ReplyDeleteI have to admit that I wasn't entirely convinced I would love this book at the beginning. But, as soon as Lorde started narrating her childhood, I was hooked! I absolutely love this book. I am so interested in understanding the strange relationship between Audre and Linda.
ReplyDeletePeri, I really appreciate the insight you provided about their relationship. I agree that Freud's Oedipus complex does seem to linger, as Lorde describes the rather apathetic and intimate relationship between she and her mother.
The fact that their exchanges can be defined by both apathy and intimacy confounds me. It seems like Audre is torn between winning her mother's affections and connecting to her mother on a more...er, sexual level.
"Feeling the smooth deep firmness of her breasts against my shoulders, my pajama'd back, sometimes, more daringly, against my ears and the sides of my cheeks" (Lorde 34).
This, although not a typical physical connection to one's mother, is a rather beautiful appreciation of the female physique. I think this is what makes Audre's story so excellent. It's not a crude exploration of our "private parts." It's an eloquently written portrayal of prepubescent sexual awakening.
Daniel I could not agree with you more. I loved that scene with Toni! I thought Andre did a really good job in making the reader experience this as she did as a child. I think describing this scene was a risk because it does have a shock value to it and people could easily take it a completely different direction than intended. Overall, I really enjoyed reading this piece. I could relate to it so much. It definitely hit home where Audre describes teachers viewing her as almost unworthy of being in school because she could not read numbers.
ReplyDeleteNow having finished the book and arrived at the understanding that certain experiences are embellished, and having made peace with that fact, the blatant sexuality described in Lorde's formative years is no longer so disturbing. I see it more as an enlightened, retrospective addition to her narrative. Sexualizing her childhood post-facto (though a little odd) provides a basis upon which her later tales of lesbianism can be founded. Personally, I've had experiences in which my claims of homosexuality have been doubted because I can't provide extensive evidence of my sexuality from my early childhood. As a result, I've learned to concoct certain facts about myself in order to affirm my lesbianism. I see this trend in Lorde's work.
ReplyDelete